Miles Matis-Uzzo is a poet and sculptor who invites viewers into a digestive world where the in-between thrives. Their work engages raw, visceral materials—clay, beeswax, paper pulp, and latex—that resist polish and knowability. Through these unruly substances, they envision futures shaped by trans reinvention, where bodies and landscapes dissolve, reassemble, and persist in volatile ecologies. Here, decay, mold, and altered hormones transform into sites of perpetual becoming, where bodies remain defiantly unfixed.


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Miles Matis-Uzzo is a poet and sculptor who invites viewers into a digestive world where the in-between thrives. Their work engages raw, visceral materials—clay, beeswax, paper pulp, and latex—that resist polish and knowability. Through these unruly substances, they envision futures shaped by trans reinvention, where bodies and landscapes dissolve, reassemble, and persist in volatile ecologies. Here, decay, mold, and altered hormones transform into sites of perpetual becoming, where bodies remain defiantly unfixed. 



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Project Space: Dog House Contemporary
The Cave Sings in Copper Tongues
 2025
1 going-out-shoe, 1 ancestral clog, wood, sawdust, sheepskin, pewter, clay, paper pulp, beeswax, foam, aluminum duct, water samples (from sculpture studio and Waller Creek), pennies, iPad.













[site of coin contamination] - Sonora Cave, Texas